Thursday, 17 December 2015

Into a Photographers mind

What runs through a photographers mind..

Disclaimer:- This is a light hearted article from a photographer who has seen different kind of clients and been through different situations over last 10-12 years. Read it for fun. P.S. I do not have anything against the IT guys.

Being a photographer is not easy, certainly this profession has picked up quite a lot over the last few years with the advent of better technology and easy access to equipment. One of the reason might be the increased spending power of masses. Some do it out of pure passion, just for fun. Others like us are not only passionate but make our living out of it. Some take professional training, others make YouTube their teacher. The final result? increased competition and people trying to make the most out of it - "CLIENTS".

One of the biggest challenges that most of us face in the initial stage is handling a client who wants freebies or is fussy about  the way the photograph turns out. You are barely in a state to reply back on their face but you surely do answer them in your head . Am putting down a few such instances for pure fun. Hope you enjoy reading them.

1. A jeweler.
Client : There are just ten necklaces you need to shoot. Come on! I will promote your work in my circle.
You : I am just asking for a 10 gm gold chain! I will ask all my friends and family members to buy their jewelry from you.

2. A high profile software developer.
Client : I will pay your team Rs. 35,000 for the pre wedding, sangeet and actual wedding shoot. Oh and don't forget the three minute wedding video.
You : I will pay your team Rs.35,000 for a HTML 5 website, site management system, server space, domain name, mobile app. Oh and don't forget to make the site responsive.

3. IT guy.
Client:  With that camera anyone can take good photographs.
You: With that Macbook pro anyone can code magically.

4. Wedding planner.
Client: I am a wedding planner, shoot this one for free after which we will discuss long term association.
You: My cousin is getting married next month. Plan this one for free , i have four more marriage age cousins.

5. A restaurant.
Client: I just need these five dishes photographed for now, if we like it we will shoot the entire lot which will be paid.
You: Let me just try that signature steak and burger for free. If I like it I will eat at your restaurant at least once a week. And yes, I will pay for it as well.

6. A Retail store.
Client: These are just perfume bottles, 25 of them, you don't need to do much, set the lights and click away. You can use our name and photos in your portfolio.
You: I will take only the bottles that I photograph. You don't have to do much. just give them to me .

7. A model.
Client: I look fat in this photograph..
You: Just in this one?

8. Model again.
Client: I don't like this background, change it Swiss alps or something, I don't know..
You: Swiss alps in a shorts, spaghetti top and slip ons?

9. Male model.
Client: Boss! make my six pack stand out ok?
You: Family pack to six pack? Wow!

10. Model.
Client: Can you take away that streak of hair from my face?
You: Why not! i will change your hairstyle to look like mine! ( I shave my head every alternate day :D)

If you have any more to add to these, feel free, keep commenting .
Keep shooting people. But never let anyone take advantage even if you are an amateur. Like every other profession this is one and be proud to be a part of it.

Cheers,
JP




Saturday, 19 October 2013

Somnathpura - Poetry in stone..(Hoysala series)



Somnathpura, located about 35 kms off Mysore is a classic example of Hoysala architecture which developed under the influence of Hoysala empire during the 11th to 14th century. The architectural style which peaked during the 13th century was influenced by the social, cultural and political events of the period. Temples built prior to mid 12th century reflected a dominant western Chalukyan influence. Post Hoysala period the temples showed a combination of Chalukyan as well as decorative examples of Hoysala craftsmanship.

The Hoysalas usually dedicated their temples to lord Vishnu or lord Shiva.  Worshippers of Shiva are called Shaivas or lingayats while worshippers of lord Vishnu are called Vaishnavas. Though King Vishnuvardhana was a Vaishnava by faith he ensured social and cultural harmony by constructing Shiva temples as well.

Chennakesava temple at Somnathpura  was commissioned by Soma who was a Dandanayaka ( commander ) to the powerful king Narasimha III During 1268 C.E. It is a star shaped temple showcasing typical elements which are features of Hoysala architectural style . An ornate Mantapa, Vimana and meticulously carved reliefs on the exterior of the temple take you to an era bygone. 

Entrance to the temple
The Temple opens to visitors around 9.30 a.m. Being only about 35 kms from Mysore it is a good idea to make the city your base and hire a taxi for a day to take you there and back. Have a hearty breakfast before you leave and carry some light brunch to ensure you do not run hungry when there. Somnathpura by itself is a small town and do not expect much in terms of food. But well, usually backpackers find their own spots where they can satiate their hunger. Also carry water if traveling during summer. For photographers reaching there on time becomes imperative to get the right light and beat the tourists, so starting early would be a good idea.

The first sighting of the temple doesn't give away much, you see an entrance porch with an walled enclosure. The trikuta vimanas peek over the walls giving you a glimpse of what lies ahead. Once you walk in through the porch with tall lathe turned pillars it's a sight to behold. The chennakesava temple is home to three shrines with its own vimanas. The northern sanctum houses the idol of lord Janardana while the southern sanctum is the abode of lord Venugopala. The Idol of lord Kesava which adorned the central hall is missing today which is replaced by a replica.

The shilalekh at the entrance.

Surrounding porch with lathe turned pillars

One of theVimanas housing the sanctum inside
The temple is based on a Jagati (Platform) which can be accessed by a flight of stairs. The jagati helps in allowing the devotees to make a ritualistic clockwise circumambulation around the shrine. The three vimanas(towers) are located towards the back of the platform. A flight of steps from the jagati lead you to a rectangular mantapa from where the three shrines are accessible. One directly in the front while other two to the left and right.

Exterior of the temple with the Jagati  



The outer wall of the mantapa has well decorated reliefs and friezes with pierced window screens above them.  

Exterior of the Mantapa with pierces window screens.


Interior of the Mantapa

Lathe turned pillars inside Mantapa
Carved pillars inside Mantapa
The exterior walls are adorned with detailed sculptures of cavalry, elephants and deities. It also has a few panels dedicated to kamasutra. The south side wall depicts scenes from Ramayana, the north one shows Mahabharata while the rear panel is dedicated to lord Krishna.  Other sculptures depict the material comfort of that age including members of royal family riding decorated chariots, commoners and soldiers riding horses, camel drawn vehicles, musicians, dancers hunters with bows and arrows along with dogs on a hunting trip. Intricate carvings of jewelry such as necklaces, pendants, rings and women sporting hairstyles which were in vogue during that era are seen abundantly .

Intricately carved panels on the exterior
Detail in Jewelry
 One of the other striking feature is sculptures of Vishnu avatars including Narasimha and Matsya avatar on the outer walls below the vimanas.

Narasimha avatar
Lord Bramha

Lord Krishna
Another example of the splendid sculptures

When you visit such places it is important to know the history behind the place and what it has to offer. India has a rich culture and heritage. Such temples apart from being places where people pray, offer a huge insight from historical point of view. Unless you study the history behind the place before you visit, it will just be another monument rich in carvings which would mean nothing to a common man.

Best time to visit - Definitely winter after October through to march. Summers can be a bit painful since the stone structures heat up.

Accommodation - the best suggestion I can offer is to stay at Mysore and hire a cab to travel to and fro unless you have your own mode of transport.

Food - None unless you consider chips and soft drinks as food.

Washroom facility - Available and pretty decent.

For photographers - Best lenses to carry - a wide angle, and one wide aperture prime to capture details. Tripods and flashes are not allowed, carry ample memory if you are a shutterbug who likes going trigger happy.

Coming up soon.. Belur, Halebidu and more..